Erotical night southern islands cave walkthrough

The dancer and scholar Harriet Lihs in 2009 divided religious dance into dances of imitation, such as of animals thought to be spirit messengers, or of battles 'medicine dances', i.e. Oesterley proposed in 1923 that sacred dance had several purposes, the most important being to honour supernatural powers the other purposes were to 'show off' before the powers to unite the dancer with a supernatural power, as in the dances for the Greek goddesses Demeter and Persephone making the body suitable as a temporary dwelling-place for the deity, by dancing ecstatically to unconsciousness making crops grow, or helping or encouraging the deity to make them grow, as with Ariadne's Dance as described in the Iliad consecrating a victim for sacrifice (as with the Israelites circling the altar, or the Sarawak Kayans circling a sacrificial pig) paying homage to the deity present for an initiation ceremony helping warriors to victory in battle, and appeasing the spirits of the enemy killed in battle averting the dangers associated with marriage, at a wedding ceremony and at a funeral or mourning ceremony, purposes such as driving away the malevolent ghost of the dead person, or preventing the ghost from leaving the grave, or frightening off any evil spirits attracted by the corpse, or temporarily and invisibly bringing the dead person back to join in the dance, or simply honouring the dead person. The Balinese Sacred Dance Sanghyang Dedari involves girls being possessed by hyang, Bali, Indonesia

Erotical night southern islands cave walkthrough